Ivy Tran
![Ivy Tran with dresses she designed and made, one from candy wrappers. Ivy Tran with dresses she designed and made, one from candy wrappers.](https://www.exeter.edu/sites/default/files/styles/standard_inline_image_730_x_auto/public/news/EP-Tran-2_0.jpg?itok=yNWd-vsk)
“I’ve used my artwork in an activist way here, because I’ve had the freedom to do that.”
Art as identity
Growing up in one of Las Vegas’ rougher neighborhoods, Ivy Tran ’18 often got picked on for wearing second-hand clothes. Rather than succumb to the derision, she decided to channel it … one stitch at a time. The granddaughter of a Vietnamese seamstress, Tran learned to sew from her father and promptly began making her own clothes. “Before Exeter, I used artwork and fashion design as a means of establishing my identity,” she says.
While Tran excelled at her bespoke fashion hobby, she was equally good at mathematics and science, the subjects emphasized at her magnet middle school. It was her zeal for math, in particular, that led her to Exeter. “I did the MATHCOUNTS program,” she says of the national non-profit. “And it was through MATHCOUNTS that I heard of Mr. Feng. [Exeter instructor and longtime USA International Mathematics Olympiad coach Zuming Feng] I came to the Academy specifically for math and competitive swimming.”
Arriving in the fall of 2014, Tran, a Bancroft resident, quickly and wholeheartedly embraced life at Exeter, becoming best friends with Autumn Herness ’17, with whom she had carpooled from the airport for Experience Exeter (Exeter’s revisit day for accepted students), and enrolling in ART203: 3-D Design: Tech + Form + Fashion, a course that would alter her academic trajectory. When, later in her prep year, the acclaimed multi-media artist Will Cotton visited the Academy as a guest speaker, he took a shine to Tran’s design work and asked her to collaborate with him at his New York City studio for a month that summer. From there, the opportunities and plaudits kept coming.
Art as protest
In Tran’s lower year, she registered for Advanced Studio Art: Portfolio + Process, which led her to conceptualize and create a collection of dresses that explore her Chinese heritage. (Tran’s parents, who immigrated to the U.S. from Vietnam, have Cantonese roots.) “It was my way of bringing my Asian culture and values into Western high fashion,” she says.
As an upper, she again took on an explicit theme in ART999: Art Field Course. A friend back home in Las Vegas was battling depression; Tran decided to support her by creating a collection that focused on mental illness. Scanning through photos of the show on her Mac, she explains how certain fabrics and folds represent the “atmospheric distortion” of depression — the ways that clothing, like disease, can make us feel confined or vulnerable. “I’ve used my artwork in an activist way here, because I’ve had the freedom to do that,” says Tran.